Splatterhouse fan-site "The West Mansion" has a load of information about the entire series and a collection of fan creations. The Den of Geek quarterly magazine is packed with exclusive features, interviews, previews and deep dives into geek culture. It was as though Splatterhouse rose up from Namco’s collective imagination like a demon, briefly found its physical form in a singular arcade brawler, then vanished again into the depths of hell.
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For an unknown reason, the mask releases energy into the grave, summoning a giant monster that claws its way up from the earth and attempts to kill Rick. Rick destroys the creature, which unleashes a tormented ghost that dissipates into a series of bright lights. The mask explodes from Rick's face as he stands in shock and awe.
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You warrant and represent You have the full legal authority to enter into this Agreement and grant all the warranties and representations herein. In the western versions of the game, the design of the Terror Mask is skull-like. In the Japanese version, the mask is white with black stripes over each eye, causing it to loosely resemble a kabuki mask.[7] Due to the translation when the game was localized, some elements are clearer in the Japanese version. In it, the Mask instructs Rick to "find the hidden house" and that Jennifer is in "the land of the dead".
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The ending is also slightly different, as it omits the scene showing the mask reassemble. The gameplay is combat oriented with Rick fighting various monsters in either hand-to-hand combat or with makeshift weapons, such as wooden planks and meat cleavers. Rick will be able to attack his enemies with super strength and literally rip them apart.
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Splatterhouse 3 plays more like a Streets of Rage-style beat-'em-up and includes a non-linear exploration element where players navigate a maze of rooms to reach a boss battle. But where Chiller was a relatively obscure title made with an evidently small budget, Splatterhouse was in a different league in terms of design. Sure, the action’s sluggish and simplistic by modern standards, with its 2D action making it the crazed cousin of Sega’s Altered Beast, but it looks and sounds superb. When Rick fires a shotgun, there’s a blast of smoke and crimson sparks, an impressive detail to spot in an arcade game circa 1988. Splatterhouse was, in short, one of the first true B-movie arcade games, and its creative swiping of other storytellers’ ideas was, like any B-picture worth its salt, done with little care for self-censorship or good taste. One level saw Rick fight a gigantic, monstrous womb; once defeated, a nauseating gush of fluid issued forth.
Her boyfriend, Rick Taylor (Joshua Luis Wiener), comes along so nothing bad happens. Just as Rick is about to propose to Jennifer, the two are attacked by Dr. West's experiments, kidnapping Jennifer and leaving Rick mortally wounded. Close to death, the Terror Mask (Jim Cummings) calls out to Rick, saying it will save him and help save Jenny if he puts it on. Having no choice, Rick puts the mask on and is transformed into a hulking beast powered by the blood of others. The game also comes with the original Splatterhouse arcade game, Splatterhouse 2 and Splatterhouse 3 as unlockables. Play online, access classic NES™ and Super NES™ games, and more with a Nintendo Switch Online membership.
The Atari 2600 received fairly low-rent licensed games based on The Texas Chainsaw Massacre and Halloween franchises, while the ZX Spectrum’s obscure action adventure Go to Hell was full of tiny demons and disembodied heads. Throughout the game, Rick collects blood from defeated enemies. Collecting a certain amount will allow the player to unlock new moves and perform special attacks.
What’s not clear is whether Namco had hoped that Splatterhouse would gain wider infamy through sheer shock factor alone; if it did, then the plan backfired somewhat. Far from making headlines with its violence, Splatterhouse simply drifted under the radars of culture’s self-appointed watchdogs. Splatterhouse wasn’t widely purchased by arcade owners in the west (probably because they were nervous about all that bloodshed), but cabinets certainly turned up from time to time in the UK – this writer has clear memories of spotting one in a British seaside arcade at the end of the decade. In the end, Rick succeeds in rescuing Jennifer and thwarting West's plans; however, the Overlord, leader of the Corrupted, emerges, summoned from the killings Rick committed through the game and constructed from the bodies of 10,000 monsters. The Mask informs Rick that he knew that Rick's killing would release it, stating that he wanted the Corrupted to know that it was the Mask that stopped them, and for that to happen, he needed to let them out.
Four years later, the soft-focus sleaze of Sega’s Night Trap and the gory fatalities of Mortal Kombat finally caught the attention of politicians in the US, leading to the introduction of Entertainment Software Ratings Board in 1994. By the time Namco’s disappointing Splatterhouse reboot emerged for consoles in 2010, its cover carried a genuine “Mature” rating – not the joking public health warning the original bandied about two decades earlier. In arcades, there were far fewer precedents for Splatterhouse’s boundary-pushing brand of gore.
By running out of time, for example, Jennifer will be killed in the second level. New to Splatterhouse is the Power Meter, which can be filled by collecting Eldritch Orbs found throughout levels and occasionally are dropped by defeated enemies. Once the bar is filled by at least one orb, the player can transform Rick into a hulking and more monstrous version of himself with the Terror Mask being seemingly fused to his head.
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